Bitty Booker
Bity Booker is an Italian/Australian psych-folk singer songwriter and illustrator based in London. Her music and illustrations have a strong connection with the natural world and animals.
Bity grew up in an artistic family in the countryside in Umbria, she graduated from Art School in Italy and lived between Italy, Australia and England. In her teens she sang in a number of metal bands, alongside writing her own original material with classical guitar and voice. Over the years she released a number of EPs, one album, and two illustrated song books, ‘The Mouse Song’ and ‘Parrots in London’.
Bity’s new EP ‘Dreaming in the Morning’ (5 March 2022) was recorded in 2021 at home on a tape machine, the songs are a dreamy ode to nature, about that instant when alone with your mind in the woods, you become one with the trees and the birds and everything seems to fall into place, quietly.
Bity lives in South London, she regularly plays gigs, records her music with analogue equipment at home and illustrates at her desk while her guitar rests.
Beechcraft Bonanza
He is the rolling rocker of the rugged rambling rocking folk-blues, the masterly minstrel of the masterful melodies on miniature musical instruments, “the high strung, unsung ukulele underdog” of the Almere rockabilly: Beechcraft Bonanza.
Beechcraft Bonanza is the pseudonym of s(w)inging-songwriter Guido Kreeuseler (1983). In a
rocking set-up with tenor ukulele and stompbox this one-man band sings rockabilly songs in a style indebted to Buddy Holly, Johnny Cash, Arthur “Big Boy” Crudupp and Little Richard with occasional trips to Billy Bragg, Nirvana and Roy Orbison.
In addition to his own work, Beechcraft Bonanza also plays an extensive repertoire of covers from the fifties and sixties and can be regarded as the Dutch answer to American Retro artists J.D McPherson and Pokey LaFarge
Tobias Bader
That track makes Tobias Bader sound like Neil Young has come to the set of “Into The Wild” and has taken over from Eddie Vedder. His voice is also reminiscent of the young Bob Dylan.’ (White Room Reviews)